Due to winter storm conditions, the University is closed today, Tuesday, Jan. 27. Day and evening classes are canceled. An updated advisory on the status of classes and operations for tomorrow will be posted this evening. During the time that the University is closed, the Commons, Subway, and Village Market will maintain regular hours for residential dining services and the Sports Center will be open for use by residential students only. Gengras Student Union and University Libraries are closed. snow closing guide
All Hartt Community Division activities are canceled today.
current as of 9:40 a.m., Jan. 27, 2015
Guest artist Vito Acconci will present a lecture titled, “From Word to Action to Architecture.” The talk, which is part of the Hartford Art School’s Auerbach Lecture Series, is free and open to the public. Acconci’s talk, which is made possible by The Beatrice Fox Auerbach Foundation Fund, will take place on Monday, Oct. 7, at 2:30 p.m. in Wilde Auditorium at the Harry Jack Gray Center, on the University of Hartford campus, 200 Bloomfield Ave., West Hartford.
He is the founder of Acconci Studio, a design firm that mixes poetry and geometry, computer scripting and sentence structure, narrative and biology, chemistry and social science. The Studio uses computers to give form to thinking, using forms to find ideas. They design time as much as space. Their design starts with clothing and ends with vehicles – in-between, they design buildings that slip into landscape and vice versa. They make spaces fluid, changeable and portable; they make architecture subservient to people, not vice versa.
Acconci’s design and architecture comes from another direction, from backgrounds of writing and art. His poems in the late 60s treated language as matter (words to look at rather than through) and the page as a field to travel over. His performances in the early 1970s helped shift art from object to interaction. Later in the 1970s, his installations turned museums and galleries into interactions between spaces and people. In the early 1980s his architectural units were meant to be transformed by users.
The following were built in the last decade: in Graz, a person-made island where the theater (a bowl) twists to become a playground on its way to becoming a dome (a restaurant); in Tokyo, a clothing store as soft as clothing; in Coney Island, an elevated subway-station façade that waves and bulges to make views and seats; in Toronto, a building-complex fence that twists and rises up the building to make windscreens and splits to make public places; in Indianapolis, now being built, an interactive tunnel through a building where pedestrians and cyclists activate sensors that set off lights that swarm around them like fireflies.
For more information, contact Karen DeGrace, executive assistant to the dean of the Hartford Art School, at 860.768.4392, or firstname.lastname@example.org.