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- Tonkin Elected Chair of the Board of the Center for Applied Linguistics
2/13/2013 - Eppes, Milanovic and DePanfilo Publish in the Academic Journal of Science
2/12/2013 - Lynne Lipkind's Recent Work in Publishing
2/12/2013 - Fang Publishes Journal Article on Traffic Modeling of Various Types of Interchanges
2/5/2013
Accolades: Michael Clancy, John Roderick
Posted 6/6/2005
Michael Clancy, assistant professor of politics and government, A&S, presented the paper, “Cruisin’ to Exclusion: Commodity Chains, the Cruise Industry, and Development in the Caribbean,” at the annual meeting of the International Studies Association in Honolulu in March.
Clancy also wrote an article, “Tourism in a Global Economy,” which will appear in an upcoming special issue of the Austrian journal Kurswechsel that focuses on the politics and economics of the global tourism industry.
John M. Roderick, chair of the Hillyer College English department and professor of English and rhetoric, has had his critical piece, “From ‘Tarantula Arms’ to ‘Della Robbia Blue’: The Tennessee Williams Tragicomic Transit Authority,” reprinted in Yale editor and critic Harold Bloom’s recent edition, Tennessee Williams’s A Streetcar Named Desire (Chelsea House).
In his Editor’s Note, Bloom says,“This book brings together a representative selection of the best criticism available upon A Streetcar Named Desire, the major drama by Tennessee Williams.”
Originally published in Jac Tharpe’s Tennessee Williams: A Tribute (University Press of Mississippi), Roderick’s article approaches the play as a tragicomic masterpiece rather than as a flawed tragedy.
Among the notable critics included in the Bloom edition are Robert Brustein, Alvin B. Kernan, and C.W.E. Bigsby.
Clancy also wrote an article, “Tourism in a Global Economy,” which will appear in an upcoming special issue of the Austrian journal Kurswechsel that focuses on the politics and economics of the global tourism industry.
John M. Roderick, chair of the Hillyer College English department and professor of English and rhetoric, has had his critical piece, “From ‘Tarantula Arms’ to ‘Della Robbia Blue’: The Tennessee Williams Tragicomic Transit Authority,” reprinted in Yale editor and critic Harold Bloom’s recent edition, Tennessee Williams’s A Streetcar Named Desire (Chelsea House).
In his Editor’s Note, Bloom says,“This book brings together a representative selection of the best criticism available upon A Streetcar Named Desire, the major drama by Tennessee Williams.”
Originally published in Jac Tharpe’s Tennessee Williams: A Tribute (University Press of Mississippi), Roderick’s article approaches the play as a tragicomic masterpiece rather than as a flawed tragedy.
Among the notable critics included in the Bloom edition are Robert Brustein, Alvin B. Kernan, and C.W.E. Bigsby.
