The Hartt School
When you study violin at The Hartt School, you will receive comprehensive musical training.
About the Major
You will join a tight-knit community of artists who are perfecting their craft. Through personal attention and mentorship from Hartt’s accomplished faculty members, you will develop innovative ideas and career ready skills. Learn about studying violin at Hartt, including undergraduate and graduate admission and audition requirements and faculty information.
Admission and Audition Requirements
In order to schedule an audition, the University of Hartford application as well as the Hartt Undergradute supplemental application must be completed. Learn more about the undergraduate or graduate application process.
The Hartt School conducts live auditions and interviews for applicants on campus as well as in select cities around the United States. Applicants who reside more than 300 miles away from campus are eligible to submit a recorded audition.
Non-performance applicants should play at least one of these selections from memory. Performance applicants should play at least two of the selections from memory.
- A movement of unaccompanied Bach
- One movement of a concerto or a virtuoso piece
- An étude or caprice
All MM or GPD string applicants must audition with piano accompaniment for at least one work. If you require an accompanist for your audition, you may bring your own or request a Hartt accompanist. There is a $50 fee for a Hartt accompanist, which includes the audition and one 30-minute rehearsal (on the day of the audition). If you require an accompanist, you must notify Hartt Admissions at least three (3) weeks prior to your audition. Be sure to include your name, contact information, degree program, instrument, warm-up and audition times, and repertoire that requires accompaniment.
- One movement of unaccompanied Bach from memory
- One movement of a concerto (or a showpiece) from memory
- Another work or movement in a contrasting style
- A selection of choice (this selection could be an additional movement from one of the first three selections, or a completely different piece)
For the Master of Music in Music History- Performance Practice Emphasis, Three (3) pieces or movements of contrasting styles must be played, and applicants may bring their own pianist or audition without accompaniment.
PRESCREENING REQUIREMENTS FOR DOCTOR OF MUSICAL ARTS AND ARTIST DIPLOMA APPLICANTS
DMA and AD applicants must submit with their completed application a preliminary recording electronically, (via Youtube, Dropbox etc.), on or before the application deadline. All recordings must contain music of contrasting styles and periods within a time frame of 20 to 30 minutes maximum, to include the following:
- One movement of a major concerto (to be performed from memory)
- Two movements of unaccompanied Bach (to be performed from memory)
- One additional piece, caprice, or a showpiece (to be performed from memory)
- One movement of a sonata
One of the above selections must be classical and another must be a 20th or 21st century work.
Confirmation of your audition date will follow a positive review of the preliminary audition recording.
All DMA and AD candidates must audition with piano accompaniment where appropriate. If you require an accompanist for your audition, you may bring your own or request a Hartt accompanist. There is a $50 fee for a Hartt accompanist, which includes the audition and one 30-minute rehearsal (on the day of the audition). If you require an accompanist, you must notify Hartt Admissions at least three (3) weeks prior to your audition. Be sure to include your name, contact information, degree program, instrument, warm-up and audition times, and repertoire that requires accompaniment.
Our violin faculty members are experts in their fields.
Miller has performed over fifty violin concertos with a number of orchestras on four different continents. His world premiere performance of Xiogang Ye’s “Last Paradise” for violin and orchestra in Beijing, China with the Central Philharmonic Orchestra was recorded for broadcast throughout Asia and released on CD. Mr. Miller has also been concertmaster for a number of orchestras including almost thirty years with Lincoln Symphony Orchestra and the New Jersey Festival Orchestra. He was also concertmaster for an Argentinian tour of the American Ballet Theatre.
Katie Lansdale has been widely lauded as soloist, chamber musician, and teacher. She has performed as soloist and chamber artist in South America and Europe, and on numerous North American concert series, including the Phillips Collection, the Caramoor Series, and Lincoln Center’s Rose Room. Winner of Grand Prizes at the Fischoff and Yellow Springs national chamber competitions, she has collaborated in chamber concerts with artists such as Yo Yo Ma, Felix Galimir, Donald Weilerstein, the Miami Quartet, Robert MacDonald, and Charles Neidich.
Emlyn Ngai enjoys a diverse life as both a modern and historical violinist. In addition to being associate concertmaster of the Carmel Bach Festival and director of the festival’s Circle of Strings, Emlyn is a member of the Adaskin String Trio with which he has performed extensively across Canada and the United States and has been recorded for broadcast by CBC Radio, Radio-Canada, and National Public Radio. As concertmaster of Tempesta di Mare, the Philadelphia Baroque Orchestra, he has performed across the US and in Europe, and has made eight releases on the British label Chandos.